The camera is trained on a paper scrim shot in negative. For a moment, a white field fills the frame, its expanse perfectly monochrome save a tremor of scratch and grain. Then the space is…
The Philadelphia Museum exhibition "Photo-Centric" imagines Michael Snow's long-standing photographic practice as Wavelength'sfinal image: central from the outset, but persistently neglected until…
Where to find Kahlo's archive, Friedlander's jazz pix, Michael Snow's conceptual hijinks, Abelardo Morell's camera obscura, and more highlights of the spring photo season