View of Ian Cheng’s installation BOB, 2018, at the Serpentine Galleries, London.
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Image Credit: Photo Andrea Rossetti. -
Obvious: Portrait of Edmond de Belamy, from la Famille de Belamy, 2018, ink on canvas, 27½ inches square.
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Image Credit: Courtesy Metro Pictures, New York. Trevor Paglen: Rainbow (Corpus: Omens and Portents), 2017, print, 21 1/2 by 26 7/8 inches, from the series “Adversarially Evolved Hallucination.”
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Image Credit: Courtesy Metro Pictures, New York. Trevor Paglen: Comet (Corpus: Omens and Portents), 2017, print, 21 1/2 by 26 7/8 inches, from the series “Adversarially Evolved Hallucination.”
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Image Credit: Courtesy Metro Pictures, New York. Trevor Paglen: Venus Flytrap (Corpus: American Predators), 2017, print, 21 1/2 by 26 7/8 inches, from the series “Adversarially Evolved Hallucination.”
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Image Credit: Courtesy Gladstone Gallery, New York and Brussels. Ian Cheng: BOB, 2018.
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Image Credit: Courtesy Gladstone Gallery, New York and Brussels. Ian Cheng: BOB production drawing, 2018–19, ink on paper, 8½ by 11 inches.
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03.03.2015-front
Image Credit: Courtesy Gladstone Gallery, New York and Brussels. Ian Cheng: BOB production drawing, 2018–19, ink on paper, 8½ by 11 inches.
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Image Credit: Photo Pablo Enriquez. Ian Cheng: Emissary Forks at Perfection, 2015–16, software simulation.
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Image Credit: Courtesy Gladstone Gallery, New York and Brussels. Ian Cheng: Emissary Forks at Perfection, 2015–16.