“Manet/Degas” Displays A Standoff Between Two Pinnacles of Painting
Laying bare the famous contretemps among two Impressionists, this exhibition asks viewers to compare and contrast.
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A Nuanced Survey Shows How Midcentury American Patrons Shaped African Art—and How Artists Cleverly Navigated Their Expectations
"African Modernism in America, 1947–67" speaks to the rich range of artistic responses to the entanglement of midcentury modernism, African nationalism, Black internationalism, and Cold War…
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Remedios Varo’s First-Rate Surrealist Storytelling Gets Its Due in a Stunning Chicago Survey
As with many Surrealists, Varo's images evade description. They seem merely whimsical when summarized, but her technical perfection edges them toward sublimity.
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What Do We Want from Art History? Shows Around New York Expand the Canon, With Varying Success
Attempts to offer edits to the discipline are finally being made, but they're being done hastily.
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Doris Salcedo Deserves Better Than Her Current Fondation Beyeler Survey
The Colombian artist's first museum show in Switzerland prizes the past over her present.
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Lonnie Holley’s Earthen Monuments Sing in a Survey Including Fellow Black Artists from the South
The show is on view at the Museum of Contemporary Art in North Miami through October 1.
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Kehinde Wiley’s New Work Underscores the Pitfalls of His Signature Approach: Swapping Black Figures into European Compositions
But his show at the de Young Museum boasts a few welcome outliers.
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Joan Brown Retrospective Places the Enthrallingly Personal Painter in the Pantheon
The SFMOMA show opens in its second iteration at the Carnegie Museum of Art in Pittsburgh.
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“Monet/Mitchell” Shows How the Impressionist’s Blindness Charted a Path for Abstraction
Monet's vision helped free him from some of painting's conventions, and this freedom prompted Joan Mitchell and her peers to forsake them more emphatically.
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Painter Martin Wong’s ‘Malicious Mischief’ Surveyed in Striking Berlin Retrospective
The show at KW Institute runs through May 14.
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