Lorraine O'Grady's writings and artwork of the past four decades—both subject to new reappraisals—offer prescient commentary on race and power in the art world.
The most powerful protests are not always the voices shouting the loudest. Often they are the most nuanced and multivalent, holding open the space we need to endure and push back on homogenizing…
English will bring to the museum his expertise in work by black artists, and will collaborate mainly with curators in the painting and sculpture departments.