The works recycle a number of conventional painterly tropes, depicting idyllic landscapes and pretty flowers overlaid with swooping gestural abstractions.
Sascha Braunig’s modestly scaled oil paintings of humanoid presences upstaged many of the high-tech pieces in “Surround Audience,” the 2015 triennial at the New Museum in New York…
New York’s gallery landscape has shifted many times over the last few decades, as dealers followed artists to new neighborhoods in search of cheaper rents. There have been a few seismic movements,…